Faces from mug shots

Roz got me interested in drawing from mug shots.    Recently I was drawing the faces from artist self portraits, so this is a change.       Here are two pencil sketches with the photos I used for reference. 

Adding more faces....

Okay, so I'm addicted to drawing faces just now.   It's only a phase and will pass.  Just bear with me. Here are a couple new ones I did with the tombow pens I bought awhile back.    

The morning after I did these I was checking in on some of my fav blogs, and one caught my eye for a read through. If you are into drawing faces, you might like to check it out.  Roz is a phenomenal artist. She can DRAW.    I have admired her work for a long time.   She writes a very worthwhile, interesting and enlightening blog.      She mentioned drawing faces from archivel mugshots.     Right up my alley.   The photos in archives were part of my responsibilities and I loved them all.   The mug shot books were really interesting, seeing the faces and then finding out why they were booked.     

Now, I can find mug shots online and I have already found a few to draw.   I started on a really challenging one today and should be able to finish it at the senior center in the  morning.   I left it in the car or I would be working on it right now.    I'll  post it later.     Another profile with an interesting long neck with an Adam's apple.    Another first for my drawing practice.

Phyllis worked with me at the gallery today and we had  plenty of spare time to sketch.  In fact the first couple hours were so quiet, we watched the Julie FeiFan Balzar video on Making Faces.     She is fun to watch.     We each sketched from the same source and our drawn faces were entirely different. I gave mine the long face like my favorite artist, and Phyllis gave hers a short squatty face.   We decided there must be a happy  medium between our two opposite approaches, but we were both happy with the little exercise.    

Small Works Show in Lodi

Tis the season..... tra la, tra la.       The local art groups put on small works shows this time of year in the attempt to seduce the public into purchasing small works of art for holiday gifting.     The show runs from the beginning of November until the end of the year.       The gallery needs the sales badly.   It is hard to get established in a new location, and even though there is more walk in traffic, the sales have not been as good as anticipated by the driving forces that made the move happen.   It all takes time.   And lots of efforts by many people.  

My grandson Trevor and I worked for three days taking in over 200 pieces of art.   Not all wall art.   Some pottery, some jewelry, some buttons, glass work, fiber arts, etc.      A really nice variety of things.   I also put in some of my embellished cutlery. 

I entered two pieces, the chicken and the rooster.   I had them framed and they are now in the front window. Here are pics from the gallery.

  

Let's face it ...

More little faces in my journal.      I like working in this size journal although it's hard to do details on such a small format 3 1/2 by 5 1/2.    I'm up to the 1600 point datewise in the self portrait book.       Here are the latest three.

 When I started this series I had not thought about how many men would be sporting beards of all sorts.    Makes me wonder what they were using to shave in those days.    I would think beards would be the rule as it could not be comfortable shaving with a knife!  Some of the men portrayed have very carefully manicured beards.    Interesting.

For me, these have presented a new challenge.  Hair is a challenge too, but I spend little time trying to capture it.

Most of these originals are painted against a very dark background.     Having them on the white makes them stand out.    I may want to go back with paint and brush later and see how they look with painted backgrounds.   I dont' want to do that with pencils.  

Speaking of pencils, I bought two new sets from Amazon, to fill out an order to take advantage of the free shipping.   I never seem to have the red I want.     I borrowed a Prang pencil from a friend and it was the perfect red.     Now, mind you, I have lots of red pencils.   Funny how fussy we can get!      I ordered a set of Prangs, expecting the one I wanted would be in the set.   Nope, it wasn't.     I also ordered a set of Sargents.     None of these are the watercolor pencils, but good for sketching and layering colors in the journals.     Here is the sampling from the recent order.

At the bottom are the Pitt Pastel Pencils that generated the other orders.   I had read good reviews and recommendations for these and could not find them locally.   I could order a case of them, but not a single set. So, it was Amazon to the rescue once more.

First thing I do with new pencils is try out the greens.     Here are the two new sets.    I tried to burnish the colors, thus the smear at base of each color.      Some were more successful than others.      See all those reds?     Still not the red I'm searching for.     Although each set has one that is pretty close.    Some of the names of colors are confusing.     I guess eventually I'll figure them out.     I usually keep a scratch pad next to me so when I'm ready to use a color, I can audition them first and pick the appropriate ones to use.    

Do you have a favorite brand?  A favorite red? I'd like to hear about them.        Now to go post to my old personal blog.       I haven't checked in there for a long time.

An old face, a new face

here is a new drawing of an old face from the self portrait book I mentioned a few posts back.       This is Paglo Veronese (1573)

- or at least my version of his painting.     This is now a favorite because of his awesome profile.   

The next one is anonymous.    

The other day I took a pomegranate to the Senior Center as I wanted to draw something easy, something I could work on but it would not take my full attention as there is so much talking/gossiping going on, it's hard to concentrate.        Here are my working materials followed by the drawing. It's very handy to have a little project and easy to carry materials.     Most of the people in our art group haul in big canvases, paints, wheeled carts, easels, etc.    When I carry my little bag, I have an extra hand available to help someone else with their loads.

Art Journal - drawing

Someone asked, so I'm responding here, in case anyone else is wondering.      The little art journal I'm working in is from Hobby Lobby.     Ir measures 3 1/2 by 5 1/2 inches.   It cost $2.99.       It works well with pencils and can be painted on with acrylics.    Not good for watercolor as the pages will warp.      Also good for collage if you remove some pages.  Some of the juicier marker pens bleed through the pages.     

Right now since I'm working in pencil, my challenge is to stop the soft leads from one page from smudging across to the opposite page.     One of my first assignments working in archives, was to interleave archival tissues cut to page size into each of John Muir's journals.   It was the practice in those years to do this, to prevent further smudging.      Muir had carried them in his pockets in the field and they held up remarkably well, considering the use they had and the conditions in which they traveled.   (this image is a page from one of his journals.   They can all be seen on the California Archives site, you can google it)   Most of his drawing are still very sharp images and are useful in research and illustrating the geology and flora of the different areas and times.       For instance, the sketches he did of Glacier Bay are the first views we have of that area and scientists now compare his detailed drawings to how the Bay looks now.  I digress.   


 I am challenged now by what to interleave into my own little journal.     I think I'll use deli wrap instead of tissue.    It seems like the finish of the pages with that light wax will be more protective.     I could spray them with a sealant.   But, I try to use "green" methods when I have a choice, and adding chemicals to the air and pages is not my first choice.

art journal - practice, practice, practice

I've been working on more of the faces found in the self portrait book mentioned previously.        I'm afraid you would not really recognize the faces I've drawn.      But, it is practice.       Here are a few new ones.

The first one is a really aged artists.    I was concentrating so hard on each ear and the wrinkles, nostrils and eyelids, that I didn't realize the ears are two different sizes.    I'm not going to erase one and even them up.  I'm leaving it alone.    It is a learning experience.      A reminder to myself to stand back and look at the overall image before making this mistake again.     That's the plan.     Hans Baldung, 1516

This second one is a young fellow.     Two different size eyes.    Oops did it again!     I love  his nose.     Filippino Lippa, 1487

 Another good nose to practice on.   I seem to like crooked noses best. They are certainly a challenge.     Another eye that's larger on the left than the right.    And lower.     Hmmmm.... gotta work on that.   

This is the one I did last night, listening to the trick or treaters screaming in fright at the sight of my grandkids and their friends.   I stayed out of it this year and just relaxed with my drawing.  They had it under control without me.      I chose this man to do because I was intrigued with the squareness of his bearded jawline.  And the slight crook to his nose.   Hans Holbein the Younger, 1540.

This portrait was a sculpture, but I thought I could try to capture it in a drawing.       I could not resist because of his nose.    And I seldom do side views.      Perfect opportunity to draw something that I did not have to match the size of the eyes or ears.     Nothing had to line up.

Leon Battiste Alberti 1436